Canon EOS R5C official review - MORE than a fanned R5!

The boundary among photographic cameras with which you may movie and natural cinematic cameras is more and more more blurring. And the Canon EOS R5C is a clean instance of this. Until now, there has constantly been a reasonably clean difference among the cameras you may movie with, inclusive of the EOS 5D fashions on one side, and the natural cinematic cameras just like the C100, C300 and C500 on the alternative side. Canon has lately made that hole a whole lot smaller in ways. On the only hand, the EOS R5 already gives many extra movie skills than the SLR cameras ever did, and on the alternative hand, the Canon C70 has decreased the space among the cinematic cameras and Canon’s mirrorless R fashions. The EOS R5C might also additionally near that hole completely.

COOLER

The Canon EOS R5C may be visible as an EOS R5 with an connected fan. One of the largest criticisms of the Canon EOS R5 became that the digital digicam can get too warm while filming withinside the maximum video qualities. The Canon EOS R5C successfully looks after this. However, Canon has long gone a step similarly than including a few greater cooling. The digital digicam now has an on/off transfer with separate settings for picturegraph and video. If you begin the digital digicam withinside the video mode, you virtually get an EOS digital digicam with all of the skills you expect. While the EOS R5 should best display a histogram that still disappeared in the course of recording, the EOS R5C has waveform and vector scope as tools. The EOS R5C can now additionally file in 8K/60p, in comparison to 30p for the EOS R5. Slow movement in 8K is now additionally possible. The choice is even to be had in Canon’s 12-bit Cinema Raw-Light format. Thanks to the cooling, there's no restrict to the recording time even on this great.

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IBIS AND HDMI

The EOS R5C is in lots of respects an (even) higher video digital digicam than the EOS R5. Nevertheless, the digital digicam isn't simply an progressed R5, and it isn't but ideal as a cinematic digital digicam. An essential distinction with the R5 is the shortage of integrated photo stabilization. According to Canon, that is due to the fact maximum expert videographers are much more likely to apply the digital digicam on a gimbal or tripod to stabilize the images. Image stabilization also can purpose troubles in a few situations. For instance, while the digital digicam is installed on a shifting car. An extra gain is that the sensor can without problems be cooled if it's miles connected to the heatsink. It does imply that the digital digicam is barely much less appropriate for shooting, each stills and movie, with the aid of using hand.

The EOS R5C does have digital stabilization that could paintings at the side of photo stabilization in EOS lenses. This notably gets rid of the shortage of photo stabilization withinside the digital digicam, however now no longer all EOS lenses have stabilization. The digital stabilization additionally reasons a small crop of approximately 1.1x. There continues to be some thing to be stated approximately the shortage of photo stabilization withinside the digital digicam. This is virtually now no longer the case for the micro-HDMI port. On a digital digicam like this, there have to absolutely be a big HDMI type-A connection. Now Canon gives a block with which you may connect the cable to the digital digicam and you may file the whole lot internally. That makes a distinction, however with that big enlargement on the back, they have to were capable of create area for a bigger HDMI port. Another marvel is that the digital digicam consumes a lot energy while filming at the best great and pace that the battery can not deliver energy to the lenses. It is the end result of sticking to the usual Canon batteries, that have by no means been designed for such heavy-responsibility applications.

If you figure with cine lenses, with guide awareness and operated by hand apertures, then this is no problem. But in case you need to movie in 8K 60p with RF lenses, you want a energy financial institution with PD further to the Canon battery withinside the digital digicam to make sure that the autofocus, aperture manipulate and photo stabilization of your lens hold to paintings. For the much less worrying movie codecs and photographers, those troubles do now no longer arise.

Viewed from the front, the Canon EOS R5C is clearly an EOS R5, with a red shutter release button being the only indication that it's actually a different type. If you look at the camera from above, you will immediately notice the extended viewfinder and the large pull-out on the back. The on/off switch has an additional position: video. Some of the buttons have received two texts indicating what the function is in photo mode and video mode. The extension on the back also has an additional connection for the timecode.

Other than that, the camera is the same as the EOS R5. That means a CFexpress type B and an SD card slot on the one hand and the same connections as on the R5 on the other. That includes the micro-HDMI port, which doesn't really belong on a cinema camera.

The Canon EOS R5C could just as easily be described as a dual-camera or split-personality (but in a good way) hybrid. This is because the menu changes depending on which side you turn the power button.

In "Photo" mode you get the menus that we know from the EOS R5. In "Video" mode you get the menus that belong on a film camera. The camera no longer displays a histogram but a waveform, and it no longer displays shutter speeds but a shutter angle. There are now large cooling slots on the side of the extension where air for the fan can flow in and out. Apparently the camera is no longer weatherproof, but according to Canon the camera is still dust and water resistant (splash water).

VIDEO

The Canon EOS R5C offers the same photographic capabilities as the EOS R5. Recording in 45 megapixels at up to 20 frames per second. There are new possibilities in the field of video. The R5C can also now record in 8K HDR in Hybrid Log Gamma. You can also shoot in 8K at up to 60 frames per second with the R5C and record in Canon's Cinema Raw Light.

Another new feature is that Cinema Raw is now available in three flavors: Raw HQ (high quality), Raw ST (standard quality), and Raw LT (light quality). All raw versions are 12-bit. For those who need more than that, the EOS R5C is also compatible with Canon's 10-bit XF-AVC format. XF-AVC is a format also available on other Canon film cameras. This makes it easier to process the files.

AUTO FOCUS

The Canon EOS R5C has the same auto focus capabilities as the R5, even with video. And that's unique, because there are capabilities that Canon's Cinema models don't yet have. For example, the EOS R5C can not only focus on human eyes and faces, but also on animal eyes. The camera can also detect cars. This is also the case with the R5, but not with the film models, for example.

DIGITAL SOUND AND TIME CODE

In addition to the extra functions consisting of the 60p in 8K, the EOS R5C additionally has some of different unique functions. For example, the R5C has a warm shoe with more contacts. This lets in the R5C to apply a virtual adapter for microphones with an XLR connection. What is uncommon is that the adapter isn't from Canon, however from Tascam. The CA-XLR2d has four channels for audio. The Canon EOS R5C additionally has a connection for time code, making the digital digicam a lot less complicated to apply in mixture with different movie cameras. Another unique function is that after the use of anamorphic lenses, the digital digicam can show the photos undistorted. There is aid for a 1.3, 1.eight and 2.0x correction.

COMPARED TO THE COMPETITION

The Canon EOS R5C is a digital digicam that has little opposition in case you purchase it specially for what the digital digicam can do. The most effective different hybrid cameras with which you may movie in 8K are the Sony A1 and the Nikon Z9. The Sony A1 does now no longer try this in 60p, however most effective in 30 frames in line with 2nd. And each the Nikon and the Sony are considerably greater costly than the Canon. The Canon is likewise the most effective one of the 3 that could display vector scopes and waveforms, for example. If you want to paintings with those, you may must healthy the Nikon and the Sony with an outside monitor, which you may in all likelihood do with out at the Canon. On the alternative hand, the Sony and the Nikon have integrated photograph stabilization. That may be a bonus in case you need to shoot via way of means of hand. With the Canon, you may in part triumph over this via way of means of choosing a lens with stabilization, probable in mixture with the digital stabilization, however that does restrict your alternatives.

CONCLUSION

The Canon EOS R5C is a digital digicam that closes the distance among the mirrorless gadget cameras from Canon and the cinematic line. Despite the shortage of integrated photograph stabilization, the EOS R5C continues to be an impressive full-body digital digicam with a excessive decision sensor, a excessive capturing velocity of up to twenty frames in line with 2nd and an first rate autofocus gadget. At the equal time, the EOS R5C is the access into the Canon cinema line. The digital digicam ought to have simply been referred to as the C50. Almost the whole lot you may need to have now and withinside the subsequent ten years in phrases of document codecs and recording alternatives is already at the R5C. What to shoot 12-bit raw, 60 frames in line with 2nd withinside the maximum decision, report virtual sound? Check, check, check! The icing at the cake is that the EOS R5C is a piece however now no longer a tremendous deal greater costly than the EOS R5.